<\/span> <\/span><\/figure>\n<\/div>\n(If you can’t see the Lightroom point curve, simply click the white circle at the top of the curve.)<\/p>\n
Note that the default curve is designed to edit the tones <\/em>in your image, not the colors. So if you click on a portion of the curve, and then drag it upward, the corresponding tones in your image will get lighter. The colors won’t change – for that, you’ll need to select one of the color channel options at the top of the panel:<\/p>\n\n
<\/span> <\/span><\/figure>\n<\/div>\nAs soon as you select one of these options, the curve will change to display a red-cyan, green-magenta, or blue-yellow curve. <\/p>\n
\n
<\/span> <\/span>The Lightroom Tone Curve set to the Blue channel.<\/figcaption><\/figure>\n<\/div>\nAt this point, you may be confused by the number of channels; after all, what if you need to adjust a color other than red, green, or blue?<\/p>\n
Think about it like this. Each of the three colors measured in Lightroom has an opposite:<\/p>\n
\nRed is the opposite of cyan<\/li>\n Green is the opposite of magenta<\/li>\n Blue is the opposite of yellow<\/li>\n<\/ul>\nReducing any one of those colors using the corresponding color curve increases <\/em>that color\u2019s opposite. In other words, reducing blue is the same as increasing yellow.<\/p>\nNow, looking at the curves panel, do you see the histogram behind the straight line? When you click and drag the straight line to create a curve, this tells Lightroom to adjust the pixels corresponding to that part of the histogram.<\/p>\n
Say, for instance, that you wanted to add blue to the midtones of an image. You would select the Blue channel and click the line in the middle of the histogram, where the midtones live. Dragging the line upward would add blue to the bright parts of your photo\u2019s tonal range.<\/p>\n
Because dragging the curve upward increases the color the channel is named after – blue, in this case. And if it increases blue, that means it decreases blue\u2019s opposite: yellow.<\/p>\n
\n
<\/span> <\/span>I’ve selected the Blue channel. When I drag the tone curve upward, the image becomes more blue!<\/figcaption><\/figure>\n<\/div>\nDragging the curve downward, on the other hand, decreases the color the channel is named after.<\/p>\n
\n
<\/span> <\/span>I’m still adjusting the Blue channel, but this time, I’ve pulled the curve downward. As a result, the image is less blue and more yellow!<\/figcaption><\/figure>\n<\/div>\nThat\u2019s the way it works in general. But you can get more precise color control by using Lightroom\u2019s targeted adjustment tool. Click on the button at the top left corner of your Curves panel to activate it:<\/p>\n
\n
<\/span> <\/span><\/figure>\n<\/div>\nHover this tool over the spot you\u2019re using to measure the skin tone in your photo, but don\u2019t click! Use the up and down arrows on your keyboard while keeping an eye on the RGB numbers beneath your histogram until both the appearance of the photo and the RGB numbers improve.<\/p>\n
Moving the blue curve down, as in the screenshot below, provides better separation between the Green and Blue measurements. It also gives the photo the warmth it\u2019s lacking:<\/p>\n
\n
<\/span> <\/span><\/figure>\n<\/div>\nIf the image still lacks vibrance, as this one does, move to the Red curve and increase the Red channel. Adding a touch of red is the best way to counteract gray skin.<\/p>\n
\n
<\/span> <\/span><\/figure>\n<\/div>\nNext, decreasing green (to add magenta) makes the skin color, as well as the corresponding RGB numbers, look just about right.<\/p>\n
\n
<\/span> <\/span><\/figure>\n<\/div>\nMaking final tweaks<\/h2>\n Once you’ve made your skin tone corrections using the color curves, you may find that things are better, but you should still take some time to evaluate the skin tones in particular as well as the scene as a whole. I recommend spending a few minutes away from the computer before you declare an image finished; it’ll give your eyes time to adjust. <\/p>\n
Looking at my image, the warmth of the background plants is overpowering the subjects. To downplay it, I’m going to return to the Blue channel. Then, using the targeted adjustment tool, I’ll add Blue to the shadows by hovering over a dark area of the photo and hitting the up arrow on my keyboard: <\/p>\n
\n
<\/span> <\/span><\/figure>\n<\/div>\nLooking good! Compare the original and edited photos here:<\/p>\n
\n
<\/span> <\/span>Before I used Lightroom to color correct the skin tones.<\/figcaption><\/figure>\n<\/div>\n\n
<\/span> <\/span>The same image – but with some color correction!<\/figcaption><\/figure>\n<\/div>\nEditing skin tones with color curves: a few final tips<\/h2>\n When editing your own images, keep the following advice in mind: <\/p>\n
First, to anyone who has heard that using RGB numbers to edit will solve all skin tone problems, that is simply untrue. There are as many proper RGB measurements as there are people in the world. As you study RGB numbers, let trends in the numbers and generalities guide your edits, but don\u2019t try for an exact numeric match.<\/p>\n
Second, measure skin tones in the middle range of brightness. Look for midtones to use as a reference point rather than bright highlights or deep shadows. Also, avoid measuring on cheeks, the end of the nose, or other areas that are usually redder than others.<\/p>\n
Third, in general, when I\u2019m editing photos, I look for tones in these ranges:<\/p>\n
\nRed is highest; Green is in the middle; Blue is lowest. This should always <\/em>be true.<\/li>\nThe Red channel is usually between 70% and 90%. Very light skin can be as high as 94%. Very dark skin can go as low as 40-50%.<\/li>\n The Blue channel is usually between 30% and 80%.<\/li>\n It\u2019s not possible to generalize how many percentage points difference should be between Red and Green or Green and Blue. However, skin that has warmer tones will have less Blue in proportion to Red and Green.<\/li>\n<\/ul>\nAnd finally, remember that small movements of your tone curve impact your image dramatically. Don\u2019t go overboard!<\/p>\n
Edit those skin tones for natural-looking portraits!<\/h2>\n Studying the patterns in the RGB numbers of your photos is a great way to develop your editing eye. Everyone takes photos that aren\u2019t quite right, and everyone struggles to determine what needs to be fixed, at least at first. <\/p>\n
Analyzing the relationship between the numbers and the appearance of the photo will help you get to the point where you can eyeball a photo and determine what needs to be done without <\/em>referring to the RGB numbers. <\/p>\nNow over to you:<\/p>\n
What do you think about this method for correcting skin tone in Lightroom? Share your thoughts in the comments below!<\/em><\/p>\nThe post How to Correct Skin Tones in Lightroom (With Color Curves)<\/a> appeared first on Digital Photography School<\/a>. It was authored by Erin Peloquin<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"The post How to Correct Skin Tones in Lightroom (With Color Curves) appeared first on Digital Photography School. It was authored by<\/p>\n
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